Episode 1 is up, and we have rules

iphone playing podcastOur first full-length episode is posted — check it out here, along with show notes, or get Marginally on iTunes, Stitcher, Google Play, or wherever get your podcasts. In it, we talk about what we’re working on, what margins mean to us, what it means to be a Genius and create Art (with capital letters), and our rules.

The Rules

Marginalization – we don’t want to ignore this aspect of the margins. Get in touch – we’d love to listen.

Structure — one full episode every other week, with mini episodes in between. Also, sometimes y’all might not get a full episode anyway. We have lives, and the last thing we need is for this podcast to take away from our writing, so you might get an extra mini episode. It happens.

Social media — we do Instagram (@marginallypodcast) because we understand it and like them, but no Twitter or Facebook. If you do, awesome — go ahead and share away and talk it up out there and do our social media marketing for us. We love you.

The website — we’ll post show notes and stuff here on the blog. There will be something at least weekly, maybe sometimes more. We hope you’ll join the conversation.

Newsletter — for now, it’ll be for show notes and news. Maybe there’ll be super-special secret extras later, who knows. Subscribe and find out!

Deep dive — this is the only time you’ll hear this phrase from us, ever. Meghan’s also trying to make the phrase “online radio show” replace “podcast”, but isn’t hopeful.

No snobbery — This is the most important. This is not the podcast to go to if you want to hear only about literary fiction, or how to write something that gets well reviewed in a literary journal. We are talking about writers’ struggles, and we talk about how to get work done that you’re proud of. But how you as a writer do that, and what you write down, is your business.

 

Have a question you’d like us to try to answer, or a topic you’d love to have us cover? Interested in being a guest? Contact us here, or send an email to podcast [at] marginallypodcast.com. Thanks for listening, and keep up the good work!

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Writing on vacation

It’s Labor Day weekend in America, right?

(I’m originally from the US, but I forget these things – the holiday only really dawned on me late this week, when I was wondering why there were so many Americans in Athens, and then I was listening to a podcast, and they mentioned it, and I thought, “Ah-ha!” But actually it may not be the reason there are so many Americans in Athens at all.)

Anyway, it’s Labor Day weekend, so everyone’s schedule is probably all up in the air. I’m writing to you from the end of my vacation in Greece – we’ve been here a bit over a week, and it’s been sort of a whirlwind. Sure, it’s a lazy whirlwind mainly composed of lots of hours of silent reading on the beach, or slow shuffling walks along dusty paths to the next pebbly beach, or six-hour marathons of The Good Wife, but it’s a whirlwind nonetheless.

 

 

On one hand, I’m happy because I have done some good writing here, and some thinking about my draft. And, on the other hand, I always think I have more time than I do, or that I will be more disciplined than I am.

Especially on holiday. I tell myself: Look at all that time! Whole entire days, and all I’m doing is going to the beach, which is totally a great place to work. I even take my laptop and notebook to the beach (and actually did some work):

And yet, the real truth is that writing on holiday is like writing all the rest of the time: if I don’t get up and work, I am not that likely to make up the time later. Turns out just sitting in your seat and doing the work is… well, really the only way it gets done.

All of that is not to say that I feel guilty. I don’t think I should or do – it’s pointless, it wastes energy, and it doesn’t change what was or wasn’t done. It’s just a sort of note, a placeholder for my future self. Maybe I can come back here and read it before my next holiday, and then make some realistic writing goals or timelines.

What about you? How are your holidays going? Do you get work done, or do you use it as a way to really switch off?

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Putting it all together

editing in greece  We’re hard at work on wrapping up editing for Episode 1 — where we talk about what we mean by margins — and prepping to record Episode 2 — day jobs. It’s been fun to learn something completely new, and we’re already racking up the lessons and lists of what not to do.

It turns out that recording a conversation is way different from working from a word-for-word script, like we had for our trailer episode. Both of us have plenty of experience with public speaking — we give presentations and teach workshops as part of our day jobs — so it’s not hard to work from notes and keep the ideas moving. What is hard is recording a second take!

We expected a technical learning curve, and have been happy to discover while it’s time consuming, it’s not so difficult we need to consult sound engineers. Hooray for the internet and the kind people who’ve posted podcasting how-tos!

But the biggest part of our process has been what’s part of our larger conversation — how to fit it in? We live 7 hours apart and don’t have flexible schedules, so just finding time to sit down with each other to chat is a real testament to our friendship each week (it means either I get up before dawn, or Olivia stays up past her bedtime). The great thing about it is we do make time to sit down each week and chat — and it’s worth every hour of lost sleep.

The time difference works in our favor in other ways. Because we’re more or less a workday apart, we could preeeetty much post to Instagram non-stop. Of course, that’s counter to our writing and work goals, so we don’t, but it would be pretty awesome. We also end up being able to tag-team the post-recording editing, since our periods of free time don’t overlap.

Bottom line is, we’re excited to give you Episode 1 (working title: In the Margins) on Monday — maybe we should have covered day jobs instead, for a Labor Day special. We hope you’re as excited to tune in.

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Episode 0 now live!

Our introductory podcast episode is now available! It’s a short rundown on Marginally and what you can expect. We hope you enjoy listening. Subscribe now so you don’t miss the first full-length episode, and share with a writer or artist you know.

Have a question you’d like us to try to answer, or a topic you’d love to have us cover? Interested in being a guest? Contact us here, or send an email to podcast [at] marginallypodcast.com. Thanks for listening, and keep up the good work!

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Facing the blank page

blank page in a notebookYou know how writing in a new notebook, on that first page, is super hard? I always just skip the first page and then I’m writing on the second page, and then I can move on. Or write something witty on that second page about how I don’t want to write on the first page.

Anyway, we can’t do that on the blog – you always have to write the first post. No getting around it; it just has to be done. So consider this post, to some degree, as an almost-blank first page.

It’s been really difficult to start this project and this blog that we’ve been talking about for weeks. Before this, we swapped productivity tips and photos of to-do lists with ease. Now that the blank screen is staring me in the face, I’ll just start with three things we’ve learned as writers who have full-on day jobs and lives – all of which could be a podcast episode or two on their own.

First, in order to do this writer-with-a-day-job thing, you need a routine. Or at least we do. I’m naturally a night owl – I was since I was a kid. But my day job requires me to be in the office at a certain time, but doesn’t necessarily release me on time. So mornings are my best bet for fresh, clear thinking, and I write better when I can move from dreams to writing without interruption from the news, facts and social media.

Second, we’ve found it useful to plan in advance. When I have longer chunks of time to just write freely, knowing precisely what I need to write is not so important. But if I have 1 to 1.5 hours in the morning, I need to have a scene or a direction that I can resume and keep going with.

Third, you can’t do it all – priorities matter. If I’m writing intensively, every day, it means I need to go to bed, that I can’t go out with friends every night, and sometimes it means I don’t exercise or run as much as might when I’m not writing. I also don’t hole myself up in my house every day without meeting other humans because social activity is also important. It’s about prioritizing your writing but also having a balance, and figuring out what’s best for you.

Last, it’s a lifelong journey. No routine or system is perfect. When I hold too tightly to my existing routine, I can sometimes feel brittle or like I’m sacrificing everything either for my work or for my book. At the same time, I won’t find the perfect routine that will make me a writer unless I just freaking sit down and write.

What have you learned on your writing-and-working journey? We’d love to hear your thoughts and comments.

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