Episode 34 is the monthly writing prompt roundup

In Episode 34, we share our responses to the April writing prompt — not an easy one for us! We also share some writing therapy our segment Everything is Terrible/What’s Working Now, and Olivia has a fun revision breakthrough. The episode concludes with the May writing prompt, so respondez sil vous plait. We’d love to read what you come up with. Get the show notes and listen here, or wherever you get your podcasts.

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Episode 30 is all about writing prompts

It’s the first episode of the month, which means it’s prompt time! In Episode 30 (holy cow, 30 episodes!), we share our responses to the March writing prompt, which, if you don’t remember it, was the one-word prompt: “peremptory.” In the course of this, we discuss the backstory for Meghan’s novel and how to tell a story from the point of view of a cat. We also share the April writing prompt, from DIYMFA’s Writer Igniter. Get the full show notes here, and check out all our writing prompts here.

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Episode 26 is live, with lots of writing prompt responses

In Episode 26, we read through our responses to the February writing prompts – all about adapting your work to the style of a book on your bookshelf.

And, even better, we got a listener prompt response for the January writing prompt, about describing someone’s job search. We loved reading Maria’s response, and we think you’ll like it too.

Finally, we announced our March writing prompt – a one-word prompt:

Full show notes are here.

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Open thread: January writing prompt (PS and a giveaway!)

Hey hey! On the podcast next week, we’ll be sharing our responses to the January writing prompt, and would love to have some of yours to read also. I’ve created this post for you to share your responses and participate in the critique — it’s always so interesting to see the totally different ways the same prompt is interpreted.

You’re welcome to join in here anonymously, or you can send us an email if you are feeling extra shy. It gets easier the more you share, though, so give it a try! We’ll all be kind. Pinky swear.

The giveaway!

This month, we’re trying something new — writer mail! We’ll do a random drawing from the submissions and choose someone to get a small surprise, so send ’em in. One entry per submission, so you can enter multiple times. Post here or email us.

As a reminder of how this works: We do what most people do with writing prompts – i.e. use them for 10-15 minutes to get warmed up. That means we don’t edit them (we write by hand, so when we type it up there may be some basic changes, but we resist the urge to do real work on it).

Otherwise, the rules are simple — note something positive, and make sure suggestions for improvement are constructive. In other words, don’t be mean.

While it’s ok to offer critique without sharing your response in turn, we’d like you to really think hard before doing that, and let it shape your comments.

And now for the prompt!

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December writing prompt: Olivia’s response and Meghan’s comments

Monday’s episode was our monthly critique session, and as promised, here’s the first of two posts sharing our responses and comments. It’s not too late to join in — just head to the open thread for December to share yours, or send us an email. You can read Meghan’s response and Olivia’s comments here

The rules are short — note something positive, and make sure suggestions for improvement are constructive. Simply put, don’t be mean.

So here’s Olivia’s response, and my comments below. Remember, these are first drafts written in 15 minutes or so, not polished submission-ready material.

Gareth glanced over his shoulder before talking. Later, he’d remember that glance and wonder who or what he was looking for. He’d left his wife at home – that was smart. She’d hate this whole thing. Maybe he was checking she hadn’t followed him. Not that she would do that.

Maybe it was just living in Moscow for so long that had made him paranoid. And that feeling had followed him here, to New York.

“Don’t you worry about being sued?” he finally asked.

“Sued?” Gabe’s face looked like he’d uncovered a horrible smell. “Why?” He reached up to straighten his tie, then squared his shoulders back.

“What was that saying you Americans have? I always admired it. Something like not eating where you –”

Gabe’s head lolled back his mouth open in a dramatic imitation of laughter, but the sound was controlled. “I love the Americanisms you know, Gareth.” He slapped his hands on the table, again with a surprisingly muted sound, as if all his movements were performed through a thin film of cotton gauze. The opposite of projecting from a stage. “No, I’m not worried. To answer your original question.”

“You’ve never had any complaints?”

“Not in that department.” Gabe tore open the crusty roll that had been dropped on his plate. He tilted his head towards the wall, as if his exploits had happened in the next room. “Times have changed, man. They’re so ambitious, they’ll do anything.”

Gabe picked up his knife, spread butter on one half of the roll. “And they don’t have all those prudish hang-ups your generation, and even mine to some extent, had. The young ones need to sow their wild oats, as much as we did.”

Gareth felt a pang of, what?, not exactly jealousy, but something else – regret, maybe, like he always did when he heard men bragging about their sex lives. I could have that, he thought. And then, as usual, something inside him shrugged. He took a long drink of his beer, letting it wash into him. It tasted flat, or old.

“Anyway, that’s not why we’re here, right? Didn’t you want to ask me about someone? Are you poaching one of our people?” Gabe waved at the waitress to get her attention, holding up two fingers to sign for more beer.

“Oh yeah. I almost forgot.”

Gabe did his quiet chortle again. “Business really is doing well. Before, you definitely couldn’t compete with our salaries.”

“I’m not. She left you guys a while ago, the girl we’re talking to. She won’t say why.” He paused, letting that phrase hang there, then lifted the corners of his mouth into a smile. “Anna Davis – know her?”

Gabe clinched his jaw as the waitress put the beers on the table.

Meghan’s comments:

All in all, this was a tough exercise for both of us. Working with characters we already know so well, and outside the confines of our establishes stories, we both felt like we didn’t want to speculate too far afield. However, it’d be great for digging into a new project, and it was still really great to stretch ourselves here.

  • I like the way it leads up to the end, giving just enough information to keep the scene moving, and the ending is satisfying and fits.
  • The scene-setting at the beginning is also good. Not too much background, but enough so we’re not floundering.
  • Gabe is also really gross — well done.
  • I also liked the flat, old beer — it clearly refers to Gareth himself.
  • It could be smoother. This is pretty normal for a first draft, though!
  • Also normal for a first draft — there are a handful of phrases you could polish (“glanced over his shoulder”, “pang of jealousy”). I think I noticed them more than I usually would because this is something I need to work on in my own writing!

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Open Thread: December writing prompt

Hey hey! In case you haven’t figured it out, we really love seeing your writing. It’s so cool how people interpret the same prompt so differently, and we’ve seen some very clever responses. SO, we totally respect wanting to keep your responses private, and get it if sharing them with just us is putting yourself out there enough, BUT just in case some of the rest of y’all want to get in on this writing prompt every month, here’s the open thread for posting your responses and critiques.

As a reminder of how this works: We do what most people do with writing prompts – i.e. use them for 10-15 minutes to get warmed up. That means we don’t edit them (we write by hand, so when we type it up there may be some basic changes, but we resist the urge to do real work on it).

Otherwise, the rules are simple — note something positive, and make sure suggestions for improvement are constructive. In other words, don’t be mean.

While it’s ok to offer critique without sharing your response in turn, we’d like you to really think hard before doing that, and let it shape your comments.

Ok, enough chatter. The prompt:

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November writing prompt: Olivia’s response and Meghan’s comments

As promised last week, we’re posting our responses to November’s writing prompt, with comments. The rules are short — note something positive, and make sure suggestions for improvement are constructive. Simply put, don’t be mean.

So here’s Olivia’s response, and my comments below. Remember, these are first drafts written in 15 minutes or so, not polished submission-ready material (although I was super impressed with Olivia’s). My response and Olivia’s comments are here.

Grace froze when she heard the knock on the door. One arm was outstretched, her hand grasping the hairy-barked pine log she had been feeding into the dark mouth of the fireplace. She was glad she hadn’t lit the fire yet. She propped herself up on the other elbow.

The knock came again, harsher this time. Impatient. It knew she was inside.

Both of her arms were starting to shake. She ease the wood onto the sooty stone hearth, silently, then dragged herself across the floor. Her thick skirts picked up twigs, beetle carcasses and small clumps of mud, leaving a clean-swept trail behind her.

Another knock. Not even waiting to listen.

As she moved, she searched the sparse room again, pointlessly scanning the dusty surfaces for a girl-sized crevice. Even the kitchen had only shelves, no cupboards.

The metal latch clicked but did not give itself up. And so the cheap door began rattling in its frame, asking for entry at first, then demanding it. Fierce.

She pulled herself up onto the austere wooden chair behind the door, arranging herself into her most natural position. This always took time, otherwise something about her angles were wrong. Gave her away immediately.

But she didn’t have time. Her leg dangled awkwardly as the door gave way. A panting bearded man swept in, blue moonlight and frost swinging in on his cape.

And the comments:

  • I loved the tone — it’s so creepy from start to finish
  • The ending! It is a surprise, but a logical one. The signs are there, but I loved how they were only clear in retrospect. The whole piece moves quickly and is full of tension.
  • The only thing I noted for revision is the way the intruder’s actions are given to the door, the door latch. I do like how it masks all details about the intruder, but it is a bit distracting.
  • The language itself works really well — beetle carcasses, hairy-barked pine log, and my favorite, blue moonlight and frost swinging in on his cape. Just lovely.

Did you write something for this prompt you’d like to share? Email us, or leave it in the comments!

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Episode 12 is up, and we try to help you (and us) survive Thanksgiving

Happy Thanksgiving week to those in or from the United States, and happy penultimate day of November to everyone else. We’re so grateful for each and every one of you!

This week, we give some podcast recommendations in response to a listener question, and we do a mini-critique session for this month’s writing prompt. Then we wrap up with nine tips for surviving Thanksgiving (or any busy or disruptive period). Watch this space for the full set of tips later this week, as well as our writing prompt responses.

Click over here for the full show notes, and as always, you can get Marginally on iTunes, Stitcher, Google Play, or wherever get your podcasts.

our favorite advice ever.
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Writing Prompt 1: Olivia’s response and Meghan’s comments

Earlier this week, Olivia posted my response to our first writing prompt and her critique. As promised, here’s her response and my critique — remember, rule #1 is be kind.

“Have a seat.” Gareth turned away from the window and waved towards a chair in front of his desk.

I squeezed past the desk and settled between the chipped maple arms, onto the seat made of worn office-blue fabric with tiny pink dots. He pulled the tall leather chair back from his desk and sat, gazing patiently at me from a chair set at considerable height. I felt like I was visiting the principal’s office, seven years old, sulking in cheap mass-produced furniture.

“I made some calls.”

“What did they say? Will he live?”

Gareth shook his head, almost shrugged. “They still don’t know.”

We sat for a few seconds in empty quiet. I let the image of Igor, surrounded by doctors, sink in.

“But he’s in London?”

Gareth nodded, his eyes betraying a feint surprise – perhaps that I was still there.

“Getting the best care, at least.” My words felt flippant, revealing how much I wanted to pretend that everything was okay.

“Anna, I think you should go –” he glanced around the room, pausing deliberately “– on the business trip. That we planned.”

“We – um, did?”

“The meetings in London?” He nodded, eyebrows raised.

I frowned, shook my head, then belatedly noticed the way he’d left spaces between the phrases, like signs in the words, to lead me through the conversation.

“You have two days. After that, I can’t guarantee anything.” He pulled open the drawer, pulled out a folded piece of paper.

“It’s your ticket.”

I smiled at the ink-jet-printed page, with its black and white Russian airline logo. As if nothing on the internet was real unless it was transferred to paper.

So, in terms of comments:
  • First of all, I love the way the information unfolds in the dialogue, in little stepping-stone bits. It’s a dynamic way to move the scene along. We don’t know where they are, or what the relationship is between Anna and Igor, but we get hints.
  • I like how this motion is echoed in the phrase, “I frowned, shook my head, then belatedly noticed the way he’d left spaces between the phrases, like signs in the words, to lead me through the conversation.”
  • I also liked the comment about nothing on the internet being real unless it’s transferred to paper.
  • I’d like to see other senses pulled into the descriptions — maybe convey the cheapness of the chair by describing how the fabric feels, rather than looks.

Remember, this is really draft and we haven’t particularly edited it – we wanted to be genuine with you! This is a great way to realize that everything can be revised, that each comment isn’t a way to say you can’t write something, but just a suggestion for how to make it better in the next draft.

We’d love to hear your responses — send them to us and let us know if you’d like them to be featured on the show.

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Writing Prompt 1: Meghan’s response & Olivia’s comments

As promised on today’s podcast, we are posting our responses and the mini-critique comments we discussed on the show. Of course we’d love to hear your responses as well. The rules of the mini-critique are that you should pick out something positive, and then where you see potential suggestions or improvements, be constructive. Basically, like in so many spheres, the rule is “don’t be mean.”
Read Olivia’s response and Meghan’s comments here.
October writing prompt: Your boss calls you into their office. What happens next?
Anyway, this is Olivia – I am posting Meghan’s response* and some comments below. So first, Meghan’s response:
“Roz.” Margot beckoned from the doorway of her office. Her face was blank – for me, or for my coworkers’ benefit, I couldn’t tell. I unhooked from the network and stood.
I waited in front of Margot’s desk while she closed the blinds on both the office-facing window and the one that overlooked the street outside. Margot shut the door.
“There’s been a mistake,” she said. Then she disappeared.
Just — gone. I ran over to her desk and looked behind it, frantic. I crawled on the floor — maybe she was hiding under the desk — but she wasn’t there. There was no sign of her, nothing left behind, except me.
Sweat rolled down my sides from under my arms, and I sat back against the gray steel cabinet in the corner to think. No one could know. I had to get out, fast.
The handle of the cabinet dug between my shoulder blades and I turned. The drawer wasn’t closed all the way. Something [[i don’t know what – I haven’t figured that out yet]] was wedged inside. I pulled it out and slipped it in my waistband.
With one last look, I slipped out of the door. “Thanks, Margot,” I said as I closed it. “Yep, I’ll take care of that.”
I couldn’t leave right away – I needed to know if Margot’s absence was discovered, and I couldn’t look suspicious. I needn’t have worried. The afternoon crawled by and by the time I left, I was a wreck. I hadn’t done a thing, unable to face connecting again in case someone was able to read what had happened, and I had no idea how I could find out about the [[[whatever thing]]] I had found without being tracked.
As soon as I got home, I checked both rooms in my apartment, every cupboard, every corner.
So, in terms of comments:
  • First of all, I really liked how the suspense builds here, and the way the reader is drawn into a world and infers so much from the scene and the setting just from the small amount of text here.
  • I also really liked the image of the “afternoon crawling by” – it’s not a phrase I’d heard a lot and it’s a really good image.
  • I thought, in terms of things that could be done differently, I am a little bit weird in that I have a logistical mind, and so I spent quite a bit of time trying to figure out where the door was, compared to the desk and the window. I couldn’t imagine it, so I suggested to take another look at that part at the beginning.
  • And finally, there were a few points where I liked the phrase, and they short cut us to the feeling we need to get, but I thought they could be more vivid. For example, “by the time I left, I was a wreck” and the word “frantic” in the fourth paragraph. What did that look like? What would it smell or sound like? And so we talked on the podcast about the importance of being in touch with all your senses in describing something.

But overall, we really enjoyed this process – although it was scary – and we look forward to hearing from you all.

 

* As we said on the podcast, this is really draft and we haven’t particularly edited it – we wanted to be genuine with you and hopefully to get you guys to participate with us in future ones!

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