The eBook has landed

Today’s episode takes you through our Seven Days To A Writing Routine eBook. You can get the eBook with lots of worksheets by signing up for our newsletter (check out the sidebar on your right), or follow along and do it yourself.

We are really excited to share this podcast with you, and we also want to plug Katherine from Olive Apple Moss for the beautiful illustrations.

We’d love to hear what you think and if you have other routine hacks that you’d like to share with us.

Sign up for the newsletter to get the ebook with all the worksheets, and listen and check out the full show notes here, or in your favorite podcast app.

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Writing check-ins, Nanowrimo, and Ursula K. LeGuin

This week, we spend some time checking in with each other on our writing, and answer a couple of listeners’ questions about whether or not we’re doing National Novel Writing Month. Then, we wrap up with a discussion of a speech by Ursula K. LeGuin and what it could mean for writers with day jobs. Check out the episode and full show notes here, and remember to rate and review (and subscribe) in your favorite podcast app.

Comment your own writing update here on this post!

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Episode 26 is live, with lots of writing prompt responses

In Episode 26, we read through our responses to the February writing prompts – all about adapting your work to the style of a book on your bookshelf.

And, even better, we got a listener prompt response for the January writing prompt, about describing someone’s job search. We loved reading Maria’s response, and we think you’ll like it too.

Finally, we announced our March writing prompt – a one-word prompt:

Full show notes are here.

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Episode 25 answers your burning questions about answering questions

Today, we answer a listener question from Maria, who wanted to know how we approach research. We talk about how all books need research, not just nonfiction historical fiction, when to google and when to ask someone, the stages of research, and our tools and processes.

Next week will be our monthly writing prompt episode, so don’t forget to send in your responses! All our prompts are here, and even if you don’t want us to share yours on air, we’ll still send you a critique and enter you into our drawing for fun writer mail.

You can listen to the full episode and get show notes here.

Let us know — how do you handle research? What are your favorite tools and methods?

madeleine l'engle's summer of the great-grandmother (crosswicks book two) and yellow index cards
Meghan’s notecards
Olivia’s notecards
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Loving the day job

This week, I love my day job. Why? It’s SUCH a great distraction. I finished my rewrites on Saturday, working through the plot issues I talked about in episode 22, and sent it off to a couple of readers. I found the query letter I worked up for a workshop and as a plotting exercise last year, and it turns out it’s pretty good. Then — against all advice — I opened up my manuscript on my e-reader to give it a full read through to get a big-picture look.

There’s a reason the advice all says to let your work rest for a week or more. In the space of five hours — the time between sending off my MS to some readers and reading the first page of my book — I went from “I FINISHED MY BOOK!” to “EVERYTHING IS TERRIBLE FOREVER.”

So thank goodness for my day job. Monday morning, I pulled up the book I had queued to index, and one of my business partners passed another one to me, so I’m busy. With things that have nothing to do with my book, and things that keep me too busy to touch my book. Also, 3 of the 4 of us in my family are sick (I must be psychic), so I’m definitely cutting out any non-essential work. And right now, my book is non-essential.

I’m still writing, though, following the advice from next week’s guest to touch the work every day (y’all are going to LOVE her and that episode). It’s super-hard for me to get back into a routine when I’ve let it slide, so I want to keep up my early mornings. I’ve started working through Ursula K. LeGuin’s Steering the Craft, with an eye to a short story I started last spring. Today, I haven’t done anything but this post, but it counts.

And now, back to my day job.

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Writing while sick (and how to jump back in when you’re better)

Flu season is raging right now, and while (so far) my family has been safe — high five for vaccines, hand washing, and getting enough sleep — I know it could hit anyway. Even without the flu, we’ve had a pretty rough winter, including having to reschedule a flight from the airport parking lot because of my 4-year-old’s sudden stomach bug. A stomach bug I got 5 days later, on Christmas Day. I’d just gotten over a brutal cold, and then a week after Christmas, another one that lasted into mid-January.

It’s funny, because at the beginning of the season, I was looking forward to curling up inside and hitting my revisions hard. I’d hoped to be able to start researching my next book — I’m trying to decide between two different historicals, and one involves reading lots of Brontë. Perfect for miserable winter days, even if (full disclosure) I don’t usually experience much cold where I live.

This winter though? There’s been lots of cold. Snow, even. It’s 35 degrees F outside right now, though the full sun makes me feel guilty for being indoors. Exactly what I imagined back in late November. Except … I forgot to imagine being sick for a month straight.

Ok, that’s all super boring, but I’m pretty sure everyone out there can commiserate with their own stories. We all get sick — some of us because it’s winter and we have small kids or travel frequently, and some people because of chronic illness. I can’t speak to the last one, but I recommend Esme Wang and Kim of Her Pickings for some insight into living a creative life with chronic illness, and would love to check out any others you want to share.

So, what I want to talk about is how to deal with being sick when it isn’t a part of your normal routine.

Make it a routine

I’m not saying to get sick all the time. I’m saying to think about how you could think about what your routine could look like on a sick day. What are your low-energy tasks? What absolutely must get done, no matter what? What can someone else do instead?

These questions are much easier to answer before you get sick, but they don’t have to be decided ahead of time.

We love this kind of emergency plan (we talk about applying it to holidays or vacations here); the great thing about it is how versatile it is to any disruptive situation.

Do what you can

Sometimes you can curl up in bed with a notebook and journal. Even if it’s just whining about feeling bad — this works best when you feel terrible, but aren’t sleeping 23 hours a day. If you’re lucky enough to be able to take a sick day from your day job, consider using any time you feel like doing something to work on your writing instead. Not that a sick day is the equivalent of a writing retreat, but if you’re home sick from work, it can be good to not work if you aren’t expected to.

Don’t do what you can’t

Honestly, the week I was sick, I didn’t do much. I didn’t wake up early to write, and I didn’t even try to come up to my quota. I wasn’t trying to meet a real deadline — that is, one that isn’t self-imposed — and I did have other things I needed to take care of that week, like pick children up from school and some of my day job. Freelancers know the pain of no sick days, as do those whose employers have terrible expectations of sick employees.

As we’ve said before, be gentle on yourself. Being sick is no joke. Pushing yourself too hard will only prolong your misery, and chances are you’ll have to burn everything you wrote anyway, because it will make no sense.

Have a re-entry plan

After being sick for weeks on end, the day I felt better, I felt SO MUCH BETTER. I wanted to do ALL THE THINGS, but I also had a fresh reminder of the dangers of jumping in too quickly, and didn’t want to end up sick again. So I looked at my generic re-entry plan. It’s something I use for busy work weeks, but can be adapted for any disruptive situation, and is a tip I picked up from my book coach.

You can work this out when you make your emergency plan, long before getting sick (like right after you read this!), but you can also count on spending a couple of hours after getting well figuring out what to do. It’s always disorienting switching tempos, so give yourself some transition time and an easy checklist to get back into the groove. That way, you don’t sit at your desk wondering what you should be doing, and bouncing from one task to another.

Some ideas:

Read through the last 10 pages or so of your manuscript to get it back into your head

Journal. A few pages of rambling about how distracted you are, or how sick you were, or all the things you wanted to do but didn’t can help you get all the junk out of your brain so you can focus on what matters.

Move. Take a walk, do some gentle yoga. Get outside if you can.

Change your surroundings. Take your work somewhere else (again, if you can). Even changing the desktop background on your computer or using a different notebook can help you really feel the fresh start.

Don’t worry about it

If you spend the whole first day back doing nothing, that’s ok. Maybe that’s what you needed anyway. Pick up your re-entry plan as soon as you feel restless and touchy — that’s always a sign I need to get focused. Choose one thing that you know will make you feel like you accomplished something, and do it. Then, at the end of the day, consider a have-done list instead of worrying about what’s crossed off on your to-do list. Start with a blank piece of paper and write down everything you did, whether or not it was on your to-do list. Don’t compare it to that other list — in fact, you can throw that list away.

Congratulate yourself for being alive and able to breathe through your nose and stay awake past 7pm!

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Episode 19 will make you jealous

Ha, not really! It is all about jealousy — what makes us jealous, what it means, what we do about it — and we get really honest about friendship and communication. Check out the full show notes over on the episode page, where you can listen and find links to subscribe.

What makes you jealous? What do you do about it? Let us know here in the comments, and don’t forget to share your responses to the January writing prompt (or any of the previous ones).

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December writing prompt: Olivia’s response and Meghan’s comments

Monday’s episode was our monthly critique session, and as promised, here’s the first of two posts sharing our responses and comments. It’s not too late to join in — just head to the open thread for December to share yours, or send us an email. You can read Meghan’s response and Olivia’s comments here

The rules are short — note something positive, and make sure suggestions for improvement are constructive. Simply put, don’t be mean.

So here’s Olivia’s response, and my comments below. Remember, these are first drafts written in 15 minutes or so, not polished submission-ready material.

Gareth glanced over his shoulder before talking. Later, he’d remember that glance and wonder who or what he was looking for. He’d left his wife at home – that was smart. She’d hate this whole thing. Maybe he was checking she hadn’t followed him. Not that she would do that.

Maybe it was just living in Moscow for so long that had made him paranoid. And that feeling had followed him here, to New York.

“Don’t you worry about being sued?” he finally asked.

“Sued?” Gabe’s face looked like he’d uncovered a horrible smell. “Why?” He reached up to straighten his tie, then squared his shoulders back.

“What was that saying you Americans have? I always admired it. Something like not eating where you –”

Gabe’s head lolled back his mouth open in a dramatic imitation of laughter, but the sound was controlled. “I love the Americanisms you know, Gareth.” He slapped his hands on the table, again with a surprisingly muted sound, as if all his movements were performed through a thin film of cotton gauze. The opposite of projecting from a stage. “No, I’m not worried. To answer your original question.”

“You’ve never had any complaints?”

“Not in that department.” Gabe tore open the crusty roll that had been dropped on his plate. He tilted his head towards the wall, as if his exploits had happened in the next room. “Times have changed, man. They’re so ambitious, they’ll do anything.”

Gabe picked up his knife, spread butter on one half of the roll. “And they don’t have all those prudish hang-ups your generation, and even mine to some extent, had. The young ones need to sow their wild oats, as much as we did.”

Gareth felt a pang of, what?, not exactly jealousy, but something else – regret, maybe, like he always did when he heard men bragging about their sex lives. I could have that, he thought. And then, as usual, something inside him shrugged. He took a long drink of his beer, letting it wash into him. It tasted flat, or old.

“Anyway, that’s not why we’re here, right? Didn’t you want to ask me about someone? Are you poaching one of our people?” Gabe waved at the waitress to get her attention, holding up two fingers to sign for more beer.

“Oh yeah. I almost forgot.”

Gabe did his quiet chortle again. “Business really is doing well. Before, you definitely couldn’t compete with our salaries.”

“I’m not. She left you guys a while ago, the girl we’re talking to. She won’t say why.” He paused, letting that phrase hang there, then lifted the corners of his mouth into a smile. “Anna Davis – know her?”

Gabe clinched his jaw as the waitress put the beers on the table.

Meghan’s comments:

All in all, this was a tough exercise for both of us. Working with characters we already know so well, and outside the confines of our establishes stories, we both felt like we didn’t want to speculate too far afield. However, it’d be great for digging into a new project, and it was still really great to stretch ourselves here.

  • I like the way it leads up to the end, giving just enough information to keep the scene moving, and the ending is satisfying and fits.
  • The scene-setting at the beginning is also good. Not too much background, but enough so we’re not floundering.
  • Gabe is also really gross — well done.
  • I also liked the flat, old beer — it clearly refers to Gareth himself.
  • It could be smoother. This is pretty normal for a first draft, though!
  • Also normal for a first draft — there are a handful of phrases you could polish (“glanced over his shoulder”, “pang of jealousy”). I think I noticed them more than I usually would because this is something I need to work on in my own writing!

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