Open Thread: December writing prompt

Hey hey! In case you haven’t figured it out, we really love seeing your writing. It’s so cool how people interpret the same prompt so differently, and we’ve seen some very clever responses. SO, we totally respect wanting to keep your responses private, and get it if sharing them with just us is putting yourself out there enough, BUT just in case some of the rest of y’all want to get in on this writing prompt every month, here’s the open thread for posting your responses and critiques.

As a reminder of how this works: We do what most people do with writing prompts – i.e. use them for 10-15 minutes to get warmed up. That means we don’t edit them (we write by hand, so when we type it up there may be some basic changes, but we resist the urge to do real work on it).

Otherwise, the rules are simple — note something positive, and make sure suggestions for improvement are constructive. In other words, don’t be mean.

While it’s ok to offer critique without sharing your response in turn, we’d like you to really think hard before doing that, and let it shape your comments.

Ok, enough chatter. The prompt:

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November writing prompt: Olivia’s response and Meghan’s comments

As promised last week, we’re posting our responses to November’s writing prompt, with comments. The rules are short — note something positive, and make sure suggestions for improvement are constructive. Simply put, don’t be mean.

So here’s Olivia’s response, and my comments below. Remember, these are first drafts written in 15 minutes or so, not polished submission-ready material (although I was super impressed with Olivia’s). My response and Olivia’s comments are here.

Grace froze when she heard the knock on the door. One arm was outstretched, her hand grasping the hairy-barked pine log she had been feeding into the dark mouth of the fireplace. She was glad she hadn’t lit the fire yet. She propped herself up on the other elbow.

The knock came again, harsher this time. Impatient. It knew she was inside.

Both of her arms were starting to shake. She ease the wood onto the sooty stone hearth, silently, then dragged herself across the floor. Her thick skirts picked up twigs, beetle carcasses and small clumps of mud, leaving a clean-swept trail behind her.

Another knock. Not even waiting to listen.

As she moved, she searched the sparse room again, pointlessly scanning the dusty surfaces for a girl-sized crevice. Even the kitchen had only shelves, no cupboards.

The metal latch clicked but did not give itself up. And so the cheap door began rattling in its frame, asking for entry at first, then demanding it. Fierce.

She pulled herself up onto the austere wooden chair behind the door, arranging herself into her most natural position. This always took time, otherwise something about her angles were wrong. Gave her away immediately.

But she didn’t have time. Her leg dangled awkwardly as the door gave way. A panting bearded man swept in, blue moonlight and frost swinging in on his cape.

And the comments:

  • I loved the tone — it’s so creepy from start to finish
  • The ending! It is a surprise, but a logical one. The signs are there, but I loved how they were only clear in retrospect. The whole piece moves quickly and is full of tension.
  • The only thing I noted for revision is the way the intruder’s actions are given to the door, the door latch. I do like how it masks all details about the intruder, but it is a bit distracting.
  • The language itself works really well — beetle carcasses, hairy-barked pine log, and my favorite, blue moonlight and frost swinging in on his cape. Just lovely.

Did you write something for this prompt you’d like to share? Email us, or leave it in the comments!

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Episode 7 gets real

We posted Episode 7, and in it we open up about the ugly side of writing when you have a day job – when you can’t really manage to fit everything in, when you feel frustrated, or when you’re just really freaking tired. We know everyone feels this sometimes, so we just went with this feeling, picked it apart, and then talked about some of the things that can get us to writing.

Some of it comes down to this –

– but there’s some other stuff in the episode as well.

As always, we would love to hear how you are doing – so contact us here, on Instagram, or by email. Send us a voice memo, and we will include it on the show!

Full show notes are here.

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Facing the blank page

blank page in a notebookYou know how writing in a new notebook, on that first page, is super hard? I always just skip the first page and then I’m writing on the second page, and then I can move on. Or write something witty on that second page about how I don’t want to write on the first page.

Anyway, we can’t do that on the blog – you always have to write the first post. No getting around it; it just has to be done. So consider this post, to some degree, as an almost-blank first page.

It’s been really difficult to start this project and this blog that we’ve been talking about for weeks. Before this, we swapped productivity tips and photos of to-do lists with ease. Now that the blank screen is staring me in the face, I’ll just start with three things we’ve learned as writers who have full-on day jobs and lives – all of which could be a podcast episode or two on their own.

First, in order to do this writer-with-a-day-job thing, you need a routine. Or at least we do. I’m naturally a night owl – I was since I was a kid. But my day job requires me to be in the office at a certain time, but doesn’t necessarily release me on time. So mornings are my best bet for fresh, clear thinking, and I write better when I can move from dreams to writing without interruption from the news, facts and social media.

Second, we’ve found it useful to plan in advance. When I have longer chunks of time to just write freely, knowing precisely what I need to write is not so important. But if I have 1 to 1.5 hours in the morning, I need to have a scene or a direction that I can resume and keep going with.

Third, you can’t do it all – priorities matter. If I’m writing intensively, every day, it means I need to go to bed, that I can’t go out with friends every night, and sometimes it means I don’t exercise or run as much as might when I’m not writing. I also don’t hole myself up in my house every day without meeting other humans because social activity is also important. It’s about prioritizing your writing but also having a balance, and figuring out what’s best for you.

Last, it’s a lifelong journey. No routine or system is perfect. When I hold too tightly to my existing routine, I can sometimes feel brittle or like I’m sacrificing everything either for my work or for my book. At the same time, I won’t find the perfect routine that will make me a writer unless I just freaking sit down and write.

What have you learned on your writing-and-working journey? We’d love to hear your thoughts and comments.

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